- IK MULTIMEDIA MIROSLAV PHILHARMONIK 2 CE REVIEW MOD
- IK MULTIMEDIA MIROSLAV PHILHARMONIK 2 CE REVIEW PATCH
- IK MULTIMEDIA MIROSLAV PHILHARMONIK 2 CE REVIEW FULL
Reduce P to 33m - sounds better but last note still cuts out halfway. Legato 2 sounds almost acceptable but still cuts out during note 3īoth Legatos sound identical - reasonable slide from C to E and E to G but cuts out halfway through GĪdded overlap to second phrase, C D E F - slide sounds awful Legato 1 now sounds like Legato 2 did above. Legato 2, same P and C settings, slides from C to E, then E to G then cuts out Legato 1 Portamento 1, Curve 1: slides up from C to nearly G as one 'note' then cuts out I've done a bit of experimentation with both of your suggestions.Īt first I stayed with the Legato voices and played around with Portamento (P) and Curve (C)ġst phrase was just an upward arpeggio C E GĪdd overlap between C and E, and between E and G
I hope with a little experimentation, this gives you a starting point for some things to try. I would ease in the modulation intensity rather than change it abruptly. Once the glide has completed, ease these values to normal. One other suggestion is that when a glide is actually taking place, zero the modulation - and perhaps lower the level slightly and maybe even filter frequency. Therefore, by default, you actually have a total of a 4 semitones range available. On that same edit screen, at the top, in the Sample section, look for "Bend" The governs the range of the bend. To do the slide, perhaps use pitch bend instead of the legatos. Of course, the tremolo and filter modulation is optional. This way gives you complete control of the vibrato and tremolo.
IK MULTIMEDIA MIROSLAV PHILHARMONIK 2 CE REVIEW MOD
The mod wheel (or CC1) is mapped to the LFO (Well, it was on mine) so to hear any modulation, you have to send CC1 events greater than 0 Perhaps use one of these ensemble strings and apply an LFO in their respective edit screens.įor example, I opened up "11 Violins No Vib" and set the following in the LFO section on this instrument's edit screen:įilter 2.0 (To hear this, you need to set the freq of the filter lower than the default) The solo strings appear to all have baked in Vibrato.
This will narrow the list to only those Sounds without baked in vibrato. I had a look and, within MP2, I searched for all sounds with the phrase "No Vib". There would be AmpliTube (and maybe slight timbre) changes as well. I am not a violin player, but I think a violin slide is doing more than a mere pitch shift.
IK MULTIMEDIA MIROSLAV PHILHARMONIK 2 CE REVIEW PATCH
If I needed a violin to slide, I would consider using an actual violin glissando patch for a more natural sounding slide. Of course, you can adjust the pitch bend range and assign it to a MIDI controller so you can programmatically change that in your sequence. You could possibly achieve glides using pitch bend rather than portamento. I would assign the modulation wheel to the LFO level.
IK MULTIMEDIA MIROSLAV PHILHARMONIK 2 CE REVIEW FULL
That way you have full control of the the intensity of the vibrato. You might be better off using a violin that does not have vibrato baked in and then modulate the pitch to get the vibrato. (Sort of like spinning an old LP record a bit faster - it also speeds up the vibrato) Because the same sample is being used (and the vibrato is baked in) for the single slide duration the vibrato will change its rate as the sample changes its playback rate. The samples have the vibrato baked into the sample rather than applied as an effect. You noted in the video that the vibrato rate changes when the note slides to a different note. The Portamento value controls the time it takes to slide from one note to another. This controls the linearity of the change.
I set to curve to somewhere between 0.7 and 1. I opened up MP2 and loaded a violin solo patch similar to yours.
0 kommentar(er)
